Discover Soft2Bet’s proceeded dedication to liable advancement and sustainability in Malta, concentrating on green technology, liable gambling, and neighborhood involvement.
News release.- It’s been an exciting year given that Soft2Bet, the vibrant giant of the igaming industry, took a vibrant step forward by transferring to its brand-new Soft2Bet Malta office last April, noting yet another landmark in Soft2Bet’s growth journey. The landmark occasion was greater than simply a ribbon cutting; it was a declaration of passion, marked by a speech from Silvio Schembri, Malta’s preacher for economic situation, enterprise, and tactical tasks. His words established the tone of what was to find:
Malta is not just an island, it is not simply a location where you work, it is a home. A home for you and also for us to be able to accommodate and share the experiences with every one of you here. Since then, the firm has actually gotten on a journey of growth, development, and achievement.Read here https://www.gamblinginsider.com/connections/1396/soft2bet At our site Yet just what has unravelled in the last year? In the following post, Soft2Bet defines the trip until now.
Soft2Bet remains at the forefront of the igaming industry in Malta, balancing technological development with business responsibility. Soft2Bet’s dedication prolongs past sophisticated video gaming services to consist of environmental sustainability, accountable gaming, and staff member empowerment.
This commitment has actually been recognised by the VIXIO Regulatory Honors and Online Casino Guru Awards, where it was shortlisted in 2025 and 2025 for The Best Implementation of Responsible Betting Tools. Soft2Bet has actually revealed that service success and social obligation can work together, establishing a standard for liable advancement in among the globe’s most affordable sectors.
By aligning long-lasting development with moral service techniques and company social responsibility, Soft2Bet continues to develop a sustainable and forward-thinking functional design while making certain that conformity and gamer protection remain at the heart of its strategy.
Recognising the demand for lasting company methods and pc gaming solutions, Soft2Bet has made substantial financial investments in energy-efficient technologies to reduce its environmental impact.
The business has transitioned from physical data centres to cloud-based framework, enabling dynamic scaling that optimises power use. This shift has reduced power intake by as much as 30 percent, strengthening its capacity to stabilize high-performance innovation with eco-conscious operations.
In addition, Soft2Bet has accepted renewable-energy-powered data centres, reducing its carbon footprint by approximately 50 per cent. These efforts highlight its dedication to providing smooth pc gaming experiences while reducing ecological effect.
Max Portelli, CFO at Soft2Bet, said: We are dedicated to lasting modern technology that improves our procedures without compromising our honest duty. Advancement is most powerful when it profits both people and the planet.&
Soft2Bet thinks corporate success ought to be gauged by its impact on society, not just economic development. The firm gives away month-to-month to kids’s health and wellness charities with contributions getting to euro; 147,000 in 2025 alone.
Soft2Bet bringing some Christmas joy to the children at the Rainbow Ward in Mater Dei Health Center in Malta.
In Q1 2025, staff members united to increase € 50,000 to support a 12-year-old youngster fighting late-stage brain cancer, demonstrating how grassroots efforts can drive significant adjustment.
Beyond economic payments, the business proactively takes part in environmental conservation efforts, consisting of tree-planting efforts to help in reducing carbon exhausts. It has actually likewise launched a March 2025 initiative supporting females in dilemma, providing occupation coaching, psychological health and wellness sources, and monetary assistance to those in need.
Portelli stated: Our community programs are never a second thought. They are a basic part of who we are as a business.&
Soft2Bet is home to a varied team, bringing together skill from across the world. The business has actually developed an environment where different histories, perspectives, and ideas are valued, guaranteeing inclusivity remains at the heart of its workplace culture.
Running entirely from the office, it prioritises group partnership, rapid decision-making, and a strong feeling of belonging. This framework motivates an open exchange of ideas, allowing staff members to pick up from each other, add to the business’s success, and feel absolutely linked to their colleagues.
The firm’s dedication to employee wellness goes beyond professional growth. It organises mental wellness workshops, team-building tasks, and gatherings, guaranteeing employees can link, have a good time, and construct long-term connections past the office.
Promoting variety, fairness, and an open mindset remains to strengthen a workplace where innovation, collaboration, and shared success drive its future.
Over the past year, the firm has concentrated on staff member health, expert advancement, and team-building, enhancing both its workforce and company identity.
Its success is shown in the 50 per cent of workers who were promoted internally in 2025, enhancing a dedication to recognising and developing talent from within. To accommodate quick expansion, the firm has also taken control of another flooring in The Quad, additional solidifying its existence as a significant employer in Malta.
To commemorate milestones, motivate collaboration, and return to the community, it has organised a range of campaigns, consisting of:
Portelli stated: Every effort, whether ecological, social, or wellness-focused, reinforces our company worths and strengthens our team overall.&
By integrating social influence with worker engagement, the business has actually developed a workplace where partnership, responsibility, and development grow.
Twelve months after opening its doors in Malta, the business has actually installed liable innovation right into the core of its business identification. From Environment-friendly IT and data centres to employee-led CSR campaigns, it has actually revealed that sustainability, ethical management, and people-focused development are not just perfects however vital chauffeurs of success.
As the business continues to increase, it stays dedicated to championing diversity, encouraging workers, and developing advanced technology with sustainability at its core. By aligning company growth with social and environmental responsibility, it is setting a new market criterion for what it suggests to be a forward-thinking organisation in Malta’s igaming field.
This trip is simply the beginning. Looking ahead, the business continues to be focused on additional innovations, proceeded international growth, and a steady commitment to making a positive, lasting influence in the market and beyond.
![]() Soft2Bet’s Accountable Technology Trip- Development and Sustainability |
Posted: April 7, 2025 1:56 pm
The issue of taksu is also one of honesty, for the artist and the viewer. An artist will follow his heart or instinct, and will not care what other people think. A painting that has a magic does not need to be elaborated upon, the painting alone speaks.
A work of art that is difficult to describe in words has to be seen with the eyes and a heart that is open and not influenced by the name of the painter. In this honesty, there is a purity in the connection between the viewer and the viewed.
As a through discussion of Balinese and Indonesian arts is beyond the scope of this catalogue, the reader is referred to the books listed in the bibliography. The following descriptions of painters styles are intended as a brief introduction to the paintings in the catalogue, which were selected using several criteria. Each is what Agung Rai considers to be an exceptional work by a particular artist, is a singular example of a given period, school or style, and contributes to a broader understanding of the development of Balinese and Indonesian paintng. The Pita Maha artist society was established in 1936 by Cokorda Gde Agung Sukawati, a royal patron of the arts in Ubud, and two European artists, the Dutch painter Rudolf Bonnet, and Walter Spies, a German. The society’s stated purpose was to support artists and craftsmen work in various media and style, who were encouraged to experiment with Western materials and theories of anatomy, and perspective.
The society sought to ensure high quality works from its members, and exhibitions of the finest works were held in Indonesia and abroad. The society ceased to be active after the onset of World War II. Paintings by several Pita Maha members are included in the catalogue, among them; Ida Bagus Made noted especially for his paintings of Balinese religious and mystical themes; and Anak Agung Gde Raka Turas, whose underwater seascapes have been an inspiration for many younger painters.
Painters from the village of Batuan, south of Ubud, have been known since the 1930s for their dense, immensely detailed paintings of Balinese ceremonies, daily life, and increasingly, “modern” Bali. In the past the artists used tempera paints; since the introduction of Western artists materials, watercolors and acrylics have become popular. The paintings are produced by applying many thin layers of paint to a shaded ink drawing. The palette tends to be dark, and the composition crowded, with innumerable details and a somewhat flattened perspective. Batuan painters represented in the catalogue are Ida Bagus Widja, whose paintings of Balinese scenes encompass the sacred as well as the mundane; and I Wayan Bendi whose paintings of the collision of Balinese and Western cultures abound in entertaining, sharply observed vignettes.
In the early 1960s,Arie Smit, a Dutch-born painter, began inviting he children of Penestanan, Ubud, to come and experiment with bright oil paints in his Ubud studio. The eventually developed the Young Artists style, distinguished by the used of brilliant colors, a graphic quality in which shadow and perspective play little part, and focus on scenes and activities from every day life in Bali. I Ketut Tagen is the only Young Artist in the catalogue; he explores new ways of rendering scenes of Balinese life while remaining grounded in the Young Artists strong sense of color and design.
The painters called “academic artists” from Bali and other parts of Indonesia are, in fact, a diverse group almost all of whom share the experience of having received training at Indonesian or foreign institutes of fine arts. A number of artists who come of age before Indonesian independence was declared in 1945 never had formal instruction at art academies, but studied painting on their own. Many of them eventually become instructors at Indonesian institutions. A number of younger academic artists in the catalogue studied with the older painters whose work appears here as well. In Bali the role of the art academy is relatively minor, while in Java academic paintings is more highly developed than any indigenous or traditional styles. The academic painters have mastered Western techniques, and have studied the different modern art movements in the West; their works is often influenced by surrealism, pointillism, cubism, or abstract expressionism. Painters in Indonesia are trying to establish a clear nation of what “modern Indonesian art” is, and turn to Indonesian cultural themes for subject matter. The range of styles is extensive Among the artists are Affandi, a West Javanese whose expressionistic renderings of Balinese scenes are internationally known; Dullah, a Central Javanese recognized for his realist paintings; Nyoman Gunarsa, a Balinese who creates distinctively Balinese expressionist paintings with traditional shadow puppet motifs; Made Wianta, whose abstract pointillism sets him apart from other Indonesian painters.
Since the late 1920s, Bali has attracted Western artists as short and long term residents. Most were formally trained at European academies, and their paintings reflect many Western artistic traditions. Some of these artists have played instrumental roles in the development of Balinese painting over the years, through their support and encouragement of local artist. The contributions of Rudolf Bonnet and Arie Smit have already been mentioned. Among other European artists whose particular visions of Bali continue to be admired are Willem Gerrad Hofker, whose paintings of Balinese in traditional dress are skillfully rendered studies of drapery, light and shadow; Carel Lodewijk Dake, Jr., whose moody paintings of temples capture the atmosphere of Balinese sacred spaces; and Adrien Jean Le Mayeur, known for his languid portraits of Balinese women.
Agung Rai feels that
Art is very private matter. It depends on what is displayed, and the spiritual connection between the work and the person looking at it. People have their own opinions, they may or may not agree with my perceptions.
He would like to encourage visitors to learn about Balinese and Indonesian art, ant to allow themselves to establish the “purity in the connection” that he describes. He hopes that his collection will de considered a resource to be actively studied, rather than simply passively appreciated, and that it will be enjoyed by artists, scholars, visitors, students, and schoolchildren from Indonesia as well as from abroad.
Abby C. Ruddick, Phd
“SELECTED PAINTINGS FROM THE COLLECTION OF THE AGUNG RAI FINE ART GALLERY”