The Accounting Cycle: 8 Steps You Need To Know

At the end of the accounting period, the accounts are closed to conclude the accounting cycle. In order to revert temporary account balances to zero, including revenues, expenses, and dividends, closing entries are generated. This effectively resets the balance sheet, thereby initiating a new accounting cycle.

Understanding the purpose of analyzing transactions

Adjusting journal entries, also known as “adjusting entries,” are used to correct information that was either not accounted for or was incorrectly accounted for. A variety of accruals and deferrals-related information must be accounted for in order to determine the operating results of a given period and the precise financial position of a specific business concern. However, the amount of total salary paid within that accounting period at the end of the accounting period can be determined from the salary account. A ledger is a book where transactions are permanently recorded in a classified and summarized way. It is known as the ” permanent book of account” because all transactions are ultimately and permanently recorded in this book. The identification of transactions is the first step in the accounting cycle.

Obviously, business transactions occur and numerous journal entries are recording during one period. Next up, time to double check your work one last time with the help of an adjusted trial balance. This table shows your unadjusted trial balance, your adjusting entries, and your adjusted amounts.At the end of the accounting period, atrial balanceis calculated as the fourth step in the accounting cycle.

Step 2: Recording Transactions

The accounting cycle records and analyzes accounting events related to a company’s activities. Recording transactions is a pivotal step in the comprehensive accounting process, serving as the foundation for accurate financial reporting. This step involves documenting all financial activities, such as sales, purchases, receipts, and payments, in the company’s accounting system. Each transaction must be recorded promptly and accurately to ensure the integrity of financial data. The comprehensive accounting process is essential for finance professionals to ensure accurate financial reporting and compliance with regulations. This step-by-step guide aims to provide a clear framework for managing financial data from initial transaction recording to the preparation of financial statements.

Collect and Organise Source Documents

The total of the debit balances should equal the total of the credit balances, confirming the accuracy of the recorded transactions. The post-closing trial balance is prepared after closing entries have been made. In contrast, the adjusted trial balance includes all accounts, including temporary accounts, after adjusting entries have been applied. During the accounting cycle, financial statements such as the income statement, balance sheet, and cash flow statement are generated. These statements provide a comprehensive view of the company’s financial performance, position, and cash flow, helping businesses assess their profitability, solvency, and operational efficiency. The accounting cycle is a series of steps used to record, process, and summarize financial transactions, culminating in the preparation of financial statements.

The eighth step in the accounting cycle is journalizing and posting closing entries. The periodic expenses and income, along with the remaining balance of the income statement, are generally closed by passing closing entries after the financial statement has been prepared. The accounting cycle is based on policies and procedures that are designed to minimize errors, and to ensure that financial statements can be produced in a consistent manner, every time.

Reversing entries is a bookkeeping technique that is optional; it is not an essential step in the accounting cycle. Preparing an adjusted trial balance is the sixth step in the accounting cycle. Therefore, transactions are defined as events that are measured in monetary terms and for which the financial position of an organization changes. The following diagram includes an explanation along with the various steps or phases of the accounting cycle. The accounting cycle is actually a stage-by-stage expression of tax write off an organization’s accounting activities.

Steps in accounting cycle:

Financial statements are vital for stakeholders to assess a company’s financial health, profitability, and liquidity. Understanding these statements helps investors and creditors make informed decisions. Once the list of adjusting transactions is approved by the authorized person, then all of that adjustment need to process in the account ledgers and reflect in the trial balance. All of the sub-accounts of these financial statements element are increase or decrease with respect to the main element. For example, non-current assets and current assets are an increase on the debit side and decrease on the credit side. For example, in the general journal, the entry should be credit sales and debit account receivable or cash depending on the nature of sales transactions.

Steps in The Accounting Cycle

For example, sales will need to transfer into the sales ledger, and account receivable will need to transfer into the account receivable ledger. Experience the all-new TallyPrime 6.0 – connected banking, enhanced bank reconciliation, automated accounting, and integrated payments for effortless business management. After the financials are prepared, the next period opens and the cycle starts over again. This makes it easier to determine which accounts and amounts need to be corrected and which ones do not. There are a few distinctions between adjusting entries and correcting entries that you should be aware of.

After crosschecking the accounting details and rectifying the errors, the firms prepare the respective financial statements. These statements are classified as income statements, balance sheets, shareholder’s equity statements, and cash flow how to post a transaction in sundry sales statements. A bookkeeper or accountant keeps track and records all financial accounting activities for that particular financial year. Companies or businesses repeat the process every financial year to monitor, assess, and understand the real financial scenario.

This can provide businesses with a clear understanding of their financial health and ensure compliance with federal regulations. It’s the final step before creating financial statements, so it’s worth triple checking everything. The goal of the accounting cycle steps is to ensure that every cent that changed hands during the accounting period is accounted for properly and reflected in a company’s financial statements.

By following this structured approach, finance professionals can enhance the reliability and integrity of their financial information. In the final step, temporary accounts (revenue, expense, and dividend accounts) are closed, transferring their balances to the retained earnings account. After the closing entries, a post-closing trial balance is prepared to ensure the books are balanced at the start of the new period. This step ensures the integrity and accuracy of financial records, providing a clear distinction between different accounting periods.

It’s worth noting that some businesses also have internal accounting cycles that have a shorter accounting period. These internal accounting cycles follow the same eight accounting cycle steps and can last anywhere from one month to six months. Preparing the trial balance how to do accounting for small business: basics of accounting requires meticulous attention to detail, as it summarizes all the financial activities recorded during the accounting period. Each account’s balance is extracted from the ledger and placed in either the debit or credit column of the trial balance sheet.

Posted: October 22, 2020 11:58 am


According to Agung Rai

“The concept of taksu is important to the Balinese, in fact to any artist. I do not think one can simply plan to paint a beautiful painting, a perfect painting.”

The issue of taksu is also one of honesty, for the artist and the viewer. An artist will follow his heart or instinct, and will not care what other people think. A painting that has a magic does not need to be elaborated upon, the painting alone speaks.

A work of art that is difficult to describe in words has to be seen with the eyes and a heart that is open and not influenced by the name of the painter. In this honesty, there is a purity in the connection between the viewer and the viewed.

As a through discussion of Balinese and Indonesian arts is beyond the scope of this catalogue, the reader is referred to the books listed in the bibliography. The following descriptions of painters styles are intended as a brief introduction to the paintings in the catalogue, which were selected using several criteria. Each is what Agung Rai considers to be an exceptional work by a particular artist, is a singular example of a given period, school or style, and contributes to a broader understanding of the development of Balinese and Indonesian paintng. The Pita Maha artist society was established in 1936 by Cokorda Gde Agung Sukawati, a royal patron of the arts in Ubud, and two European artists, the Dutch painter Rudolf Bonnet, and Walter Spies, a German. The society’s stated purpose was to support artists and craftsmen work in various media and style, who were encouraged to experiment with Western materials and theories of anatomy, and perspective.
The society sought to ensure high quality works from its members, and exhibitions of the finest works were held in Indonesia and abroad. The society ceased to be active after the onset of World War II. Paintings by several Pita Maha members are included in the catalogue, among them; Ida Bagus Made noted especially for his paintings of Balinese religious and mystical themes; and Anak Agung Gde Raka Turas, whose underwater seascapes have been an inspiration for many younger painters.

Painters from the village of Batuan, south of Ubud, have been known since the 1930s for their dense, immensely detailed paintings of Balinese ceremonies, daily life, and increasingly, “modern” Bali. In the past the artists used tempera paints; since the introduction of Western artists materials, watercolors and acrylics have become popular. The paintings are produced by applying many thin layers of paint to a shaded ink drawing. The palette tends to be dark, and the composition crowded, with innumerable details and a somewhat flattened perspective. Batuan painters represented in the catalogue are Ida Bagus Widja, whose paintings of Balinese scenes encompass the sacred as well as the mundane; and I Wayan Bendi whose paintings of the collision of Balinese and Western cultures abound in entertaining, sharply observed vignettes.

In the early 1960s,Arie Smit, a Dutch-born painter, began inviting he children of Penestanan, Ubud, to come and experiment with bright oil paints in his Ubud studio. The eventually developed the Young Artists style, distinguished by the used of brilliant colors, a graphic quality in which shadow and perspective play little part, and focus on scenes and activities from every day life in Bali. I Ketut Tagen is the only Young Artist in the catalogue; he explores new ways of rendering scenes of Balinese life while remaining grounded in the Young Artists strong sense of color and design.

The painters called “academic artists” from Bali and other parts of Indonesia are, in fact, a diverse group almost all of whom share the experience of having received training at Indonesian or foreign institutes of fine arts. A number of artists who come of age before Indonesian independence was declared in 1945 never had formal instruction at art academies, but studied painting on their own. Many of them eventually become instructors at Indonesian institutions. A number of younger academic artists in the catalogue studied with the older painters whose work appears here as well. In Bali the role of the art academy is relatively minor, while in Java academic paintings is more highly developed than any indigenous or traditional styles. The academic painters have mastered Western techniques, and have studied the different modern art movements in the West; their works is often influenced by surrealism, pointillism, cubism, or abstract expressionism. Painters in Indonesia are trying to establish a clear nation of what “modern Indonesian art” is, and turn to Indonesian cultural themes for subject matter. The range of styles is extensive Among the artists are Affandi, a West Javanese whose expressionistic renderings of Balinese scenes are internationally known; Dullah, a Central Javanese recognized for his realist paintings; Nyoman Gunarsa, a Balinese who creates distinctively Balinese expressionist paintings with traditional shadow puppet motifs; Made Wianta, whose abstract pointillism sets him apart from other Indonesian painters.

Since the late 1920s, Bali has attracted Western artists as short and long term residents. Most were formally trained at European academies, and their paintings reflect many Western artistic traditions. Some of these artists have played instrumental roles in the development of Balinese painting over the years, through their support and encouragement of local artist. The contributions of Rudolf Bonnet and Arie Smit have already been mentioned. Among other European artists whose particular visions of Bali continue to be admired are Willem Gerrad Hofker, whose paintings of Balinese in traditional dress are skillfully rendered studies of drapery, light and shadow; Carel Lodewijk Dake, Jr., whose moody paintings of temples capture the atmosphere of Balinese sacred spaces; and Adrien Jean Le Mayeur, known for his languid portraits of Balinese women.

Agung Rai feels that

Art is very private matter. It depends on what is displayed, and the spiritual connection between the work and the person looking at it. People have their own opinions, they may or may not agree with my perceptions.

He would like to encourage visitors to learn about Balinese and Indonesian art, ant to allow themselves to establish the “purity in the connection” that he describes. He hopes that his collection will de considered a resource to be actively studied, rather than simply passively appreciated, and that it will be enjoyed by artists, scholars, visitors, students, and schoolchildren from Indonesia as well as from abroad.

Abby C. Ruddick, Phd
“SELECTED PAINTINGS FROM THE COLLECTION OF THE AGUNG RAI FINE ART GALLERY”


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