Since that time, the security token industry has experienced significant growth with Blockchain Capital contributing to this expansion. Today, Blockchain Capital offers tokenized shares of its highly successful venture fund to the public. The crypto industry needs platforms like Blockchain Capital if it’s to ever make the leap from personal users to large institutional funding. Large hedge funds and trading firms are not going to mess around when there is a chance of future legal repercussions. Blockchain Capital provides a unique entryway that is both efficient and profitable. As such, you can expect to hear a lot more from this group in the coming weeks.
You should be aware that you may lose a significant portion of your portfolio. Blockchain Capital continues to be focused on the nexus of the industry where blockchain-based innovations are augmenting and replacing legacy systems and infrastructure. The network is known for conducting deep research and developing investment frameworks that can be utilized across the market in a seamless manner. Securities.io maintains rigorous editorial standards and may receive compensation from reviewed links. We are not a registered investment adviser and this is not investment advice. Volume of a coin is the total spot trading volume reported by all exchanges over the past 24 hours multiplied by the value of an individual unit of that coin.
For years, there has been much hype surrounding the entrance of institutional funds into the market. The firm has helped finance +70 projects and has over 130 portfolio companies. The network currently controls $1.8 billion in assets and is managed by 12 dedicated investment professionals.
The firm sees opportunity to add efficiency and enable new opportunities across each of these major categories. Blockchain Capital helps to solve some critical problems that have made security token investing more difficult than it should be. For one, the protocol streamlines entrance into the blockchain sector for institutional and enterprise-level traders.
Securitize Markets – This exchange was launched in 2021, and remains one of the leading options for purchasing digital securities such as Blockchain Capital (BCAP) on the secondary market. In 2017, Blockchain Capital secured $10 million in funding during a crowdfunding campaign. The event saw participation from many popular projects with Ripple (XRP) being one of the main participants. Since that time, the network has enjoyed the support of the crypto community due to its well-known and experienced founders and results.
As such, they are the ideal investment tool for these firms and anyone seeking out crypto exposure via an approved option. Large institutional investment firms are not going to trade any assets that lack the regulatory compliance mechanism they require to prevent future bite back. The crypto market has already seen a few cases in which ICOs were later charged by the SEC (Securities and Exchange Commission) for violating securities laws. Joining the blockchain revolution can be very confusing for those new to the market. It’s nearly impossible when the person isn’t familiar with the terminology and features currently available.
Notably Blockchain Capital has also participated in four unicorn investments and currently offers five funds to clientele. The live price of BCAP is $ 24.28 per (BCAP/USD) today with a current market cap of 221.18M USD. As with any nascent technology, it remains to be seen exactly where blockchain technology will have its biggest impact. As such, Blockchain Capital takes a diversified approach to its portfolio by investing in a wide-range of use cases and applications—often beginning at the seed level. Developers often suffer from many of the same problems that trouble users. For one, new projects that create entirely new concepts are particularly sensitive in terms of regulatory concerns and more.
Blockchain Capital specializes in supporting blockchain technology to create new markets and business models. In this way, the firm continues to do its part to drive large-scale crypto adoption. Another major benefit that Blockchain Capital brings to the market is funding. Startups in the blockchain sector often fail due to a lack of resources. Blockchain Capital sorts through the best protocols to discover what projects offer the higher ROI potential.
These networks enjoy access to a network of entrepreneurs, investors, and crypto users who are eager to invest in the next game-changer in the market. Blockchain Capital Coin Price Chart determines the exchange rates between major fiat currencies and cryptocurrencies – including BTC, ETH and XRP to USD, EUR, GBP. Conversion rates are based on Live BCAP Price Index and the price indices of other digital assets. Blockchain Capital provides users with an option that can meet their strict requirements. All of the network’s funds fall within existing US regulatory requirements.
Founded in 2013, Blockchain Capital is a pioneering venture capital firm in the blockchain industry, supporting over 100 companies and projects. The firm invests across various stages in both equity and crypto assets. It launched the first tokenized investment fund and the blockchain industry’s initial security token, BCAP, through a security token offering in April 2017. Blockchain Capital focuses on empowering entrepreneurs utilizing blockchain technology to revolutionize industries and create new business models. Blockchain Capital functions as a multi-stage investor in the market. The network seeks bcap token price out promising crypto startups and creates funds that enable firms to gain exposure to crypto assets in a regulated manner.
Anyone who holds BCAP tokens gains rights to a portion of the fund’s profits which has proven to be lucrative to date. These returns will continue until the token holder trades or sells their BCAP tokens to other approved holders. This risk is higher with Cryptocurrencies due to markets being decentralized and non-regulated.
Circulating supply shows the number of coins or tokens that have been issued so far.
Blockchain Capital cuts through the confusion via its risk-adjusted approach. Traders gain exposure to the top-performing platforms that have proven to be smart investments. One of the primary reasons a person would invest in Blockchain Capital is its proven track record of returns.
Notably, Blockchain Capital invests in both equity and crypto-assets. The main requirement to qualify for these funds is to be a blockchain-based firm with a concept that has the potential to upend the market. As a sector-specific and stage-agnostic fund managed by BC Manager, BC III DLVF will be a leading investor in the cryptocurrency and blockchain technology industry. BC III DLVF’s core business strategy is to leverage the proprietary resources and experience of BC Manager with the objective of generating growth and income from its investments.
Notably, traders that hold the BCAP token gain exposure to the market in a regulated and secure manner. The BCAP token was launched as the first security token in the market in 2017. Notably, all traders must complete full AML and KYC registration to hold this digital asset. Blockchain Capital (BCAP) is a leading venture firm in the blockchain industry. The network is recognized as a pioneering force in the market for many reasons. It was the firm behind the first official security token launch in April 2017.
Market cap is calculated by multiplying the asset’s circulating supply with its current price. Blockchain Capital has been an influential member of the crypto community ever since it entered the market in 2013. The network lists its founders as Bart Stephens, Bradford Stephens, and Brock Pierce. Notably, Pierce is a well-known crypto star that has run for president in the past. Circulating supply is the approximate number of units of a coin that are currently circulating in the market in the hands of the general public. Any references to trading, exchange, transfer, or wallet services, etc. are references to services provided by third-party service providers.
BC III DLVF holdings will primarily consist of new and growing blockchain technology and cryptocurrency businesses and ICOs. However, these funds have only dwindled in as large investment firms require a host of regulatory requirements to be met prior to their participation. Blockchain Capital alleviates this problem through its unique structure.
Posted: August 7, 2023 8:37 am
The issue of taksu is also one of honesty, for the artist and the viewer. An artist will follow his heart or instinct, and will not care what other people think. A painting that has a magic does not need to be elaborated upon, the painting alone speaks.
A work of art that is difficult to describe in words has to be seen with the eyes and a heart that is open and not influenced by the name of the painter. In this honesty, there is a purity in the connection between the viewer and the viewed.
As a through discussion of Balinese and Indonesian arts is beyond the scope of this catalogue, the reader is referred to the books listed in the bibliography. The following descriptions of painters styles are intended as a brief introduction to the paintings in the catalogue, which were selected using several criteria. Each is what Agung Rai considers to be an exceptional work by a particular artist, is a singular example of a given period, school or style, and contributes to a broader understanding of the development of Balinese and Indonesian paintng. The Pita Maha artist society was established in 1936 by Cokorda Gde Agung Sukawati, a royal patron of the arts in Ubud, and two European artists, the Dutch painter Rudolf Bonnet, and Walter Spies, a German. The society’s stated purpose was to support artists and craftsmen work in various media and style, who were encouraged to experiment with Western materials and theories of anatomy, and perspective.
The society sought to ensure high quality works from its members, and exhibitions of the finest works were held in Indonesia and abroad. The society ceased to be active after the onset of World War II. Paintings by several Pita Maha members are included in the catalogue, among them; Ida Bagus Made noted especially for his paintings of Balinese religious and mystical themes; and Anak Agung Gde Raka Turas, whose underwater seascapes have been an inspiration for many younger painters.
Painters from the village of Batuan, south of Ubud, have been known since the 1930s for their dense, immensely detailed paintings of Balinese ceremonies, daily life, and increasingly, “modern” Bali. In the past the artists used tempera paints; since the introduction of Western artists materials, watercolors and acrylics have become popular. The paintings are produced by applying many thin layers of paint to a shaded ink drawing. The palette tends to be dark, and the composition crowded, with innumerable details and a somewhat flattened perspective. Batuan painters represented in the catalogue are Ida Bagus Widja, whose paintings of Balinese scenes encompass the sacred as well as the mundane; and I Wayan Bendi whose paintings of the collision of Balinese and Western cultures abound in entertaining, sharply observed vignettes.
In the early 1960s,Arie Smit, a Dutch-born painter, began inviting he children of Penestanan, Ubud, to come and experiment with bright oil paints in his Ubud studio. The eventually developed the Young Artists style, distinguished by the used of brilliant colors, a graphic quality in which shadow and perspective play little part, and focus on scenes and activities from every day life in Bali. I Ketut Tagen is the only Young Artist in the catalogue; he explores new ways of rendering scenes of Balinese life while remaining grounded in the Young Artists strong sense of color and design.
The painters called “academic artists” from Bali and other parts of Indonesia are, in fact, a diverse group almost all of whom share the experience of having received training at Indonesian or foreign institutes of fine arts. A number of artists who come of age before Indonesian independence was declared in 1945 never had formal instruction at art academies, but studied painting on their own. Many of them eventually become instructors at Indonesian institutions. A number of younger academic artists in the catalogue studied with the older painters whose work appears here as well. In Bali the role of the art academy is relatively minor, while in Java academic paintings is more highly developed than any indigenous or traditional styles. The academic painters have mastered Western techniques, and have studied the different modern art movements in the West; their works is often influenced by surrealism, pointillism, cubism, or abstract expressionism. Painters in Indonesia are trying to establish a clear nation of what “modern Indonesian art” is, and turn to Indonesian cultural themes for subject matter. The range of styles is extensive Among the artists are Affandi, a West Javanese whose expressionistic renderings of Balinese scenes are internationally known; Dullah, a Central Javanese recognized for his realist paintings; Nyoman Gunarsa, a Balinese who creates distinctively Balinese expressionist paintings with traditional shadow puppet motifs; Made Wianta, whose abstract pointillism sets him apart from other Indonesian painters.
Since the late 1920s, Bali has attracted Western artists as short and long term residents. Most were formally trained at European academies, and their paintings reflect many Western artistic traditions. Some of these artists have played instrumental roles in the development of Balinese painting over the years, through their support and encouragement of local artist. The contributions of Rudolf Bonnet and Arie Smit have already been mentioned. Among other European artists whose particular visions of Bali continue to be admired are Willem Gerrad Hofker, whose paintings of Balinese in traditional dress are skillfully rendered studies of drapery, light and shadow; Carel Lodewijk Dake, Jr., whose moody paintings of temples capture the atmosphere of Balinese sacred spaces; and Adrien Jean Le Mayeur, known for his languid portraits of Balinese women.
Agung Rai feels that
Art is very private matter. It depends on what is displayed, and the spiritual connection between the work and the person looking at it. People have their own opinions, they may or may not agree with my perceptions.
He would like to encourage visitors to learn about Balinese and Indonesian art, ant to allow themselves to establish the “purity in the connection” that he describes. He hopes that his collection will de considered a resource to be actively studied, rather than simply passively appreciated, and that it will be enjoyed by artists, scholars, visitors, students, and schoolchildren from Indonesia as well as from abroad.
Abby C. Ruddick, Phd
“SELECTED PAINTINGS FROM THE COLLECTION OF THE AGUNG RAI FINE ART GALLERY”